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Aisha v. Madonna Lawsuit LINKS: Lawsuit | Appeals Brief | The Dozens Of Artists Madonna Has Ripped Off | Plagiarism Article Computer Specialists Certify Hackings Of My Computer | FBI/DOJ Letter About Computer/Identity Theft | Robert Mueller (FBI) Delivery Confirmation Receipt Of My Formal Complaint | Filed Met Police Complaint | Supreme Court Petition | Human Rights Abuse Complaint (UN) | Hacker's Computer Info | FBI FOI Request BOYCOTT MADONNA'S NEW CD "HARD CANDY"
As some of you know, Madonna criminally infringed more items from my Copyrighted Catalog again. I have not had time to list out all the infringements in detail today, as it is very time consuming and I am very busy, but I have listed a few in Part 1 of this article. Read below the songs for my opinions on her latest acts of criminal copyright infringement, among other things. The infringements are color coded and go from left to right throughout the boxes below. My copyrighted works, that PREDATE MADONNA'S RIP OFFS BY YEARS, are in the left column and her rip offs on the "Hard Candy" CD are in the right column. The third copyrighted song listed below "A Million Miles Away" that she ripped off for her new song "Miles Away" is actually 3 YEARS OLD (registered with the Copyright Office November 22, 2005).
Mad-onna has ripped off many artists' copyrights For background on it, for those of you who don't know, Madonna's has been infringing my copyrighted works over and over again. She has repeatedly ripped off verbatim, distinct items, unique to my copyrighted works that have been in existence and under federal and international protection, well before she did so. Currently, two Miami law firms are working on my behalf regarding copyrights Madonna also spread to affiliated artists and producers she worked with, who also fraudulently took writers credit and royalties for the already registered songs. However, the Madonna infringements and civil rights violations that occurred in tandem with the case, will be handled internationally in separate legal world venues and courts of law.
Edgar Bronfman jr Her label, the beleaguered Warner Music Group, headed by Edgar Bronfman jr., and her publishers have been to this web site before and after the rip offs occurred.
Pharrell Williams Her producer Timbaland, among others she's worked with (Pharrell Williams), who have also been the subject of numerous plagiarism claims from different individuals, sent a friend request to my MySpace page from his music company's page, when he should not have known who I am either.
The reason they know is because they are in possession of an illegally made copy of my preexisting Copyrighted Catalog which they have been using in criminal violation of domestic and international law.
What kind of dog steals from a minority. You don't get much lower in life than stealing from a minority. How is that something to be proud of. She is so pathetic. What kind of animal do you have to be to do something like that. What kind of loser consistently does something like this. This nasty obsession with stealing from and harassing someone that expressed in no uncertain terms that they think you are horrible and disgraceful. Don't you have any pride. You consistently shame yourself and your family with this. You are psychopathic. You're a sick, demented old witch who is a real nut job. It is the sickest thing I've ever seen in my life. How does someone get so messed up in the head that they do things like this and on a regular basis. Unwanted Contact Then there's the unwanted contact. Madonna's commissioned hacker sent me three vile, harassing emails last week, that have been traced back to the same IP address that keeps hacking into my computers where the Copyrighted Catalog has been stored.
Then there was her producer, Timbaland, sending a friend request to MySpace page a couple months ago, knowing they had committed criminal copyright infringement for her forthcoming "Hard Candy" CD. Before that, it was a Warner Bros artist named Kyle sending me a harassing email. Then there was a bizarre, threatening phone call to my unlisted number, about Anthony Pellicano, Madonna's PI and that of her lawyer and former manager, containing taunting comments that they have the FBI in their back pocket and nothing is going to come of such cases. If I were you, I wouldn't be worried about the domestic scope of things, but the international legal angle. Robert Mueller can't help you with that. Check the international legal rulebook. Madonna Lied About Origin Of Song
Kabbalah nutters Guy Ritchie And Madonna Madonna is also such a pathological liar. After I stated on this site that she ripped off more of my copyrights again, she did an interview and lied, saying the new song "Incredible" that is a dead rip off of my song "Incredible Girl" which was copyrighted almost 2 YEARS BEFORE her rip off, is about having sex with her husband Guy Ritchie, when people in London know he's cheating on her and hates her. Who are you really kidding. You further humiliated him in said interview and made him and yourself look stupid, when you stole a song that's been in existence for 2 YEARS then claimed you wrote it about him. That song isn't about either one of you weirdoes. I wrote and copyrighted that song about me 2 YEARS AGO. It's been on my web site for a year and a half on the lyrics, store and home pages. MILLIONS of people have been to my sites according to irrefutable Traffic Facts data, blog stats and link referrals, and have seen the songs' lyrics and heard the clips. Then here you come like a loser stealing it well AFTER ALL THOSE PEOPLE SAW AND HEARD IT. How do you explain that some thing millions of people have seen and heard online that has been in the Copyright Office in Washington, DC, you ripped off 2 YEARS LATER! Furthermore, look at the idiotic way she butchered my songs with those moronic, nonsensical, simpleton lyrics. Who writes like that. Your writing is so poor, one would think English is not your first language. At least then you'd have an excuse for writing in that manner. The songs don't even make sense anymore. The rip offs look like hodge podge madness that don't go together. There is no way you have a 160 IQ as you publicly claimed, and ironically, you started saying this after I did about myself. “The Riches” InfringementMadonna’s Maverick Films has also stolen a movie treatment from my Copyrighted Catalog and turned it into an odd television show called The RICHES. My movie synopsis copyrighted 3 years ago is about a crooked man that goes to live in suburbia with a family called The RICHS. Madonna’s company’s rip off show is about a crooked family named the RICHES, who move to suburbia. Madonna And Guy Ritchie Steal Script For New Film "Rock N Rolla"After being sued by Vincent D’Onofrio for stealing the remake proposal for what became the box office bomb “Swept Away,” Guy Ritchie and Madonna have stolen another copyrighted script. Announced via press release, Guy Ritchie’s latest project, in conjunction with his wife, titled “Rock N Rolla” is a direct rip off of an unreleased script I copyrighted and registered the name for 4 years ago. These registrations predate Ritchie’s rip off by 4 years. This is not the first time Guy Ritchie in collusion with his wife have stolen copyrighted works from my Catalog. In blatant violation of Jamaican law and United Nations treaties, Madonna and Guy Ritchie stole one of my copyrighted scripts about my homeland Jamaica and where I currently live, Miami, and attempted to go out to the island nation to film it. He and Madonna contracted Jamaicans for the project and did not tell them the criminal means by which he and his wife procured the script and that it was stolen from a Jamaican as well. When I put out a press release read by many, about their misconduct involving my homeland, Ritchie quickly withdrew his name from the project and it disappeared from his IMDB page. Still determined to unlawfully use items from my copyrights, in violation of international law, Ritchie and Madonna have illegally set their sights on another script in my catalog, opting to illegally film it in London, in violation of British law as well, renaming it “Rock N Rolla.” The film is being produced and released by Joel Silver, Steve Clark-Hall and Susan Downey and Warner, Madonna’s label’s namesake and affiliate, who have also illegally helped themselves to items from my Catalog in violation of international law. According to published reports Ritchie’s new rip off script is about, “The head of the London mob, which is losing ground to the foreign mob. Thandie Newton plays the love interest for One Two and The Wire's Idris Elba plays Mumbles, the right-hand guy for our hero. Chris Bridges will play Roman, an American who is trying to break into the music scene in London.” My script copyrighted 4 years ago is about one mafia losing ground to foreign mafias, a female love interest and a character trying to break into the music industry. It is the exact same story to the one Ritchie and Madonna have now illegally stolen, renaming it "Rock N Rolla." COMPARATIVE LYRICAL CONTENT OF THE INFRINGEMENTS CONTAINED IN THE SONG “HEY YOU” BY MADONNA TO MY PREEXISTING COPYRIGHTS THAT ARE YEARS OLD: Aisha: don’t give up Aisha: Life isn’t so bad Aisha: A chance for you - give us a second
chance Aisha: the courage to be yourself Aisha: poet and peacemaker Aisha: Tell me why you act so shy Aisha: There's a reason people have so much
difficulty Aisha: Make it together Aisha: we'll make it anyway Aisha: But will you change, you’ve got to beat
this thing Aisha: Remember this Aisha: Is real, It’s more than something you
feel Aisha: Save your soul Aisha: little sister Aisha: Save your soul Aisha: little Brother Aisha: Save yourself the pain Aisha: learn to love yourself Aisha: courage to love someone else Aisha: I can’t change everyone Aisha: save everyone else Aisha: it’s a choice you make Aisha: everything makes sense Aisha: learn to love yourself "Material Girls" movie directed by Martha Coolidge for Madonna's Maverick Poster for Madonna's husband's film "Revolver" "Hung Up" by Madonna - audio and lyrical comparisons coming soon. "Sorry" Madonna's pictures from "Greatest Hits Volume 2" CD Artwork for Madonna's "Confessions On A Dance Floor" CD "Madonna's Inspirations" book Items from Madonna's "English Roses" Fashionline Madonna's cell phone giveaway contest. Madonna's "Confessions on A Dance Floor"
Contemporary Girl (Original Version 2001) then listen to American Life (2003) Now listen to both beats together in the proceeding clip and you will see they match. They have the same amount of beats in the musical refrain/melody and follow the same rhythmic pattern. They stole my drum beat and made it into a synthesizer pattern/techno beat. "Contemporary Girl" and "American Life" combined: click here to hear both beats combined 1. Both songs contain similar lyrics. In each chorus, my song "Contemporary Girl" contains the lines "Modern Society" at the beginning of the refrain. In her rip off version "American Life" the lyrics contain the words "Modern Life" in the beginning of the refrain. The phrase “Modern Society” can be used interchangeably with the term she put in "American Life," “Modern Life” as both phrases can be used to mean the same thing. In "Contemporary Girl" the lyric in each chorus goes: “In a modern society, that gave you the right to be in control.” In American Life the lyric in each chorus goes “This type of modern life - Is it for me?” 2. During the rap on "Contemporary Girl," I rap about the things contemporary women have. During the rap on "American Life," she rapped about the things she has. Both songs list similar things, in the same manner and both raps contain a “jet” as one of the items owned. In "Contemporary Girl" the lyric goes: “a private jet for you to fly out.” In "American Life" the lyric goes: “Three nannies, an assistant and a driver and a jet” 3. In "Contemporary Girl" the lyric goes" “You can’t be the man, when you’re a girl.” In "American Life" the lyric goes: “I tried to be a boy. I tried to be a girl” It's the same pun about feminists, but once again, she stole the lyric and rewrote it in such as way as to supposedly not get caught. 4. In "Contemporary Girl" the lyric goes: “No matter what your friends say” In "American Life" the lyric goes: “I tried to find a friend” 5. In "Contemporary Girl," I write about eating in the rap, the lyric goes “business brunch, the power lunch.” In "American Life" she writes about eating in the rap, the lyric is “I'm drinking a Soy latte. I get a double shot” 6. As I wrote above, in "Contemporary Girl," I list all the things contemporary women have during the rap section:
Designer
clothed In "American Life" she raps about all the things she has during the rap section:
I got a
lawyer and a manager 7. In "Contemporary Girl" I make references to God, as I am a Christian. I’ve written about Christianity on my web site many times. In the song "American Life" she makes references to Christianity and Judaism, and is now busy writing and speaking about the Kabballah religious cult she belongs to. She hadn’t written about or spoken of it before, as she has now. All of a sudden she is pushing religion via a cult, which is absolutely appalling. Even worse, she’s been accused of trying to teach her religious cult’s beliefs to kids via her poorly written children’s books. 8. Both songs have very similar melodies and grooves/beats. Listen to the electronic groove/beat in "American Life" and you will see they got it from my track "Contemporary Girl," as it’s the same melodic pattern and rhythm as my beat with the accent on the last note of the musical phrase. Madonna, Mirwais and Missy Elliot did the song, which took my drum beat and made it into a synth pattern that runs throughout the song "American Life." Contemporary Girl (Original Version 2001) then listen to American Life (2003) Now listen to both beats together in the proceeding clip and you will see they match. They have the same amount of beats in the musical refrain/melody and follow the same rhythmic pattern. They stole my drum beat and made it into a synthesizer pattern/techno beat. "Contemporary Girl" and "American Life" combined: click here to hear both beats combined As the combined songs show, both have the same rhythm, breaks, time and melodic pattern, only my drumbeat was made into a synth sample - which is why when played together both the "Contemporary Girl" drum beat and "American Life" synth are in complete sync. It's the musical equivalent of a tenor and soprano singing the same line at the same time - different ranges, but they are singing the same thing. Another test, for all you home studio producers, if you run the "Contemporary Girl" beat listed above through efx processors, synth simulators or certain vocoders, you will come up with the "American Life" techno synth that's heard in her rip off. When you put the beat for "Contemporary Girl" and "American Life" in a music recording program, as I did to render the comparative mix listed above, the wave files even look the same to the point that you think it's the same song or a copy and paste (in the recording software). "Confessions on a Dance Floor" - Every song on "Confessions on A Dance Floor," released 6 weeks after I filed suit on September 30, 2005, ripped off items from my released CD "Aisha" and criminally damningly, from my above mentioned private copyrighted catalog of unreleased works only available on my business computers that were hacked and in the Library of Congress in Washington D.C. Said catalog was copyrighted way before she infringed it. Dates of authorship were also digitally secured via other time stamped digital means and additionally through poor man's copyrights. For example, there is an UNRELEASED song I copyrighted over a year and a half ago titled "Goodbye." It starts off with me saying the word "Goodbye" in different languages and telling the person I want them to leave and the relationship to end. Madonna's rip off "Sorry" starts off with her saying the word "Sorry" in several different languages and her telling the person she wants them to leave and the relationship to end. Both songs are also about the same thing, however mine was written and copyrighted way before hers. I also have another UNRELEASED song that was copyrighted over a year and a half ago that she ripped off to create "Sorry." They share mutual lyrics, only mine was copyrighted a year and a half before hers and written years before hers. Disco rip off – some of you are probably wondering, as critics have wonder aloud, where Madonna’s new disco theme came from and why. Apart of my copyrighted catalog, is a disco music video treatment and pic treatment I copyrighted well over a year ago that Madonna has illegally used without permission. She knocked off several of my already copyrighted photo treatments and the disco video, copyrighted over a year ago, and has used it in violation of numerous laws. |
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