Home | Bio | Diary | News | Music | Video | Film | Books | Poetry | Art | Info | Interact | Tour | Links | Press | Contact


Your Ad Here

...

Your Ad Here

Aisha v. Madonna Lawsuit

LINKS: LawsuitAppeals Brief | The Dozens Of Artists Madonna Has Ripped Off | Plagiarism Article

Computer Specialists Certify Hackings Of My Computer | FBI/DOJ Letter About Computer/Identity Theft |

Robert Mueller (FBI) Delivery Confirmation Receipt Of My Formal Complaint | Filed Met Police Complaint |

Supreme Court Petition | Human Rights Abuse Complaint (UN) | Hacker's Computer Info | FBI FOI Request

Madonna And Guy Ritchie’s Infringing Movies Bomb

This Level Of Bombage Should Be Outlawed

Madonna

More proof that Madonna nor her estranged husband Guy Ritchie should go anywhere near a film set arrived in the form of news that both their films they claim to have directed, bombed spectacularly at the box office.

Madonna’s flop "Filth And Wisdom" which is a rip off, fared horribly, only grossing “$18,000” at the box office since its release last month (LOL).

What’s sick and disturbing about Madonna’s 2008 movie “Filth And Wisdom” with the title reminding me of an old Swing Out Sister album titled “Filth And Dreams” which I ironically screened on my hacked computers in 2007, is the so-called film is a blatant rip off of a movie I copyrighted two years ago in 2006.

Regrettably, as I have stated before, my Copyrighted Catalog, of which said aforementioned projects are apart, was stored on my business computers, that were repeatedly hacked by Madonna.com’s hosting company, Digilink, with an illegally made copy of my Catalog, forwarded to Madonna, who has been illegally using items from it in criminal violation of domestic and international law. She paid them to do it.

The lead character in Madonna’s rip off “Filth And Wisdom” is an immigrant named A.K. aspiring to be a singer. In my 2006 preexisting copyrighted movie script, I star in the biopic, as myself, an immigrant aspiring to be a singer, whose initials are A.K. (short for "Aisha Kamilah" - and I do go by the initials A.K. sometimes or A.G.).

The script I wrote in 2006 is reflective of my own real life story and she has ripped it off two years later in 2008 and additionally added some really bizarre things to it. I also recorded and copyrighted a 10-song soundtrack for it in 2006.

The soundtrack, the script and some of the footage were all copyrighted by me, from 2006 and is on deposit in the Copyright Office in Washington, DC.

This copyright theft, is extremely creepy and betrays the very sick mind she has, as no sane person would do such a thing and go to such extremes to constantly steal from and mimic what someone else is doing.


BOYCOTT MADONNA'S NEW CD "HARD CANDY"

As some of you know, Madonna criminally infringed more items from my Copyrighted Catalog again. I have not had time to list out all the infringements in detail today, as it is very time consuming and I am very busy, but I have listed a few in Part 1 of this article.

Read below the songs for my opinions on her latest acts of criminal copyright infringement, among other things.

The infringements are color coded and go from left to right throughout the boxes below. My copyrighted works, that PREDATE MADONNA'S RIP OFFS BY YEARS, are in the left column and her rip offs on the "Hard Candy" CD are in the right column.

The third copyrighted song listed below "A Million Miles Away" that she ripped off for her new song "Miles Away" is actually 3 YEARS OLD (registered with the Copyright Office November 22, 2005).

Mad-onna has ripped off many artists' copyrights

For background on it, for those of you who don't know, Madonna's has been infringing my copyrighted works over and over again. She has repeatedly ripped off verbatim, distinct items, unique to my copyrighted works that have been in existence and under federal and international protection, well before she did so.

Currently, two Miami law firms are working on my behalf regarding copyrights Madonna also spread to affiliated artists and producers she worked with, who also fraudulently took writers credit and royalties for the already registered songs.

However, the Madonna infringements and civil rights violations that occurred in tandem with the case, will be handled internationally in separate legal world venues and courts of law.

Edgar Bronfman jr

Her label, the beleaguered Warner Music Group, headed by Edgar Bronfman jr., and her publishers have been to this web site before and after the rip offs occurred.

Pharrell Williams

Her producer Timbaland, among others she's worked with (Pharrell Williams), who have also been the subject of numerous plagiarism claims from different individuals, sent a friend request to my MySpace page from his music company's page, when he should not have known who I am either.

The reason they know is because they are in possession of an illegally made copy of my preexisting Copyrighted Catalog which they have been using in criminal violation of domestic and international law.

"Incredible Girl" ©2006

9-11-2006 (© certificate: PAu3-088-617) and 9-20-2006 (© certificate: PAu3-083-946)
www.theincrediblegirls.com domain name ©2007

 

"Incredible" by Madonna 2008

"Hard Candy" CD

 

My song is about meeting a great guy, things going well in life and feeling celebratory about the whole thing. Her song rips off my copyrighted song TWO YEARS LATER. The songs are about the same thing, have mutual, verbatim lyrics and the same rhyme scheme.
Incredible girl
We are the future
Don’t tell us how to be
Incredible girl
We are the future
Love and unity

Verse 1:
I feel so free
Life is good to me
I’m loving the days
I just got a raise
Met the man of my dreams
And he is what he seems
Things are happening for me
Oh the possibilities

Chorus:
Incredible girl
We are the future
Don’t tell us how to be
Incredible girl
We are the future
Love and unity

Verse 2:
(Just tell them)
I’m an incredible girl
One of the best in the world
Don’t let them get you down
You must stand your ground
You be you
And love you too
They can’t tell you how to be
Tell them just let me be me

Chorus:
Incredible girl
We are the future
Don’t tell us how to be
Incredible girl
We are the future
Love and unity

Verse 3:
I don’t care about what they say
I’m gonna be me anyway
I’m gonna have fun with it
I’m gonna run with it
I’m gonna be free
I’m gonna be me
Look, listen and see
God smiled on me
He made me an incredible girl
One of the best in the world

Chorus:
Incredible girl
We are the future
Don’t tell us how to be
Incredible girl
We are the future
Love and unity

Rap:
I’ll make Eminem black
Jordan shoot wack
Jeter miss
And Elton kiss, a girl
The best in the world
Make Pele forget to play
The Dodgers leave LA
Make Beckham go offside
Gordon forget his ride
We are the incredible girls
We are the best in the world

Bridge:
I’ll beat this world
At its own game
When all is said and done
You will know my name
I’ll beat this world
At its own game
When all is said and done
You will know my name

Chorus:
Incredible girl
We are the future
Don’t tell us how to be
Incredible girl
We are the future
Love and unity

Chorus:
Incredible girl
We are the future
Don’t tell us how to be
Incredible girl
We are the future
Love and unity

.

Incredible (Hey girl)
Just finish what we started
(Let's finish where we started girl)
Incredible (Hey girl)

Just one of those things
When everything goes incredible
And all is beautiful
(Can't get my head around, I need to think about it) (x2)
And one of those things
That used to get you down
Now have no effect at all
Cause life is beautiful
(Can't get my head around it, I need to think about it) (x2)

Remembering the very first time
You caught that some ones' specials eye
And all of your care dropped
And all of the world just stopped

Just one of those things
When everything goes incredible
And all is beautiful
(Can't get my head around, I need to think about it) (x2)
And one of those things
That used to get you down
Now have no effect at all
Cause life is beautiful
(Can't get my head around it, I need to think about it) (x2)

Just one of those things
When everything goes incredible
And all is beautiful
(Can't get my head around, I need to think about it) (x2)
And one of those things
That used to get you down
Now have no effect at all
Cause life is beautiful
(Can't get my head around it, I need to think about it) (x2)

I remember when
You were the one
You were my friend
You gave me life
You were the sun
You taught me things
I didn't run
I fell to my knees
 

Just one of those things
When everything goes incredible
And all is beautiful
(Can't get my head around, I need to think about it) (x2)
And one of those things
That used to get you down
Now have no effect at all
Cause life is beautiful
(Can't get my head around it, I need to think about it) (x2)

Incredible
Let's finish what we started
Incredible
You're welcome to my party

I don't want this to end
I am missing my best friend
It was incredible
There is no reason
(Sex with you is...)

Incredible (Hey girl)
Just finish what we started
(Let's finish where we started girl)
Incredible (Hey girl)
You're welcome to my party
(I'm coming to your party girl)
Don't want this thing to end
I'm missing my best friend
Yes it was incredible
There's no reason to pretend
Incredible

It's incredible, unbelievable
It's incredible, unachievable
It's incredible, metaphysical
It's incredible

(Sex with you is...)

Incredible
Let's finish what we started
Incredible
You're welcome to my party
(I'm coming to your party) (x2)

Incredible (Hey girl)
Just finish what we started
(Let's finish where we started girl)
Incredible (Hey girl)

She by Aisha  (© certificate: PAu3-340-689, 9-7-07)

"She's Not Me" by Madonna and Pharrell Williams 2008

"Hard Candy"

My unreleased song, that was copyrighted years ago, is about a successful, wealthy woman with a great career and a lot of possessions, who is being cheated on by her husband, that's having an affair with another woman that tries to morph into his wife in how she dresses, does her hair, acts and conducts herself. Madonna's new rip off song "She's Not Me" is about the exact same thing with verbatim rip offs of my lyrics as well. Both songs even start of with the word "She" in the song titled" with "she repeated over and over again while listing all the unethical things the woman is doing.
She had a great career
She had a successful husband
Beautiful children
Beautiful house
Beautiful car
Beautiful life

She was envied by the one’s
She thought to be her friend
They tried to be like her
Instead of realizing the uniqueness in them
That the Lord gave them

They tried to live like her
Look like her
Some even slept with her husband
In a subconscious effort to validate themselves
Their looks and their lives
And to feel they were more beautiful
Than she was

Whether women like to admit it or not
There are women out there
That envy other women
And try to compete with them

They caused her so much pain
What was her crime
She prayed
That her dreams would come true
And they did
A husband, career and kids
She led a good life
Things like these can cause so much strife
And cause people to lose their faith

Girl’s best friend

Girl’s best friend
Some friend
Stab you in the back in the end

I’m trying to live my life
But she is trying to take it

She’s got her hair just like you
Wants your man
Your house
Your car
She is so jealous

She wants your man
She’s no friend
Don’t let her get you in the end
Don’t let her in your life

Get your own life I’m his wife
He’s mine
And it hurts you to see
When he says he loves me
Get over it

I should have seen the signs way back then
When she told me that you where her best friend
And now she's rolling rolling rolling
and you where stolen stolen stolen
She stared dressing like me and talking like me
It freaked me out
She started calling you in the middle of the night
What's that about?

I just wanna be there when you discover
You wake up in the morning next your new lover
She might cook you breakfast
And love you in the shower
The flavor of the moment
Cause she don't have what's ours

She's Not Me
She doesn't have my name
She'll never have what I have

It wont be the same (it wont be the same)

I should have seen the sign when you weren't here
Under a different light it's oh so clear
She was stealing stealing stealing
and now your feeling feeling feeling
She started dying her hair and wearing the same perfume as me
She's stared reading my books and stealing my looks and lingerie

She's Not Me
She doesn't have my name
She'll never have what I have

It wont be the same (it wont be the same)

She's licking her lips and she's batting her eyes
She's not me
She's got legs up to there and such beautiful hair
She's not me
Oh devoted for life make a beautiful wife
She's not me
If you spend some more time I guarantee we are fine
She's not me

I know I can do it better
If someone wants to pimp your style
and hang with you a little while
And make up all the little things you like
You gonna have to watch your....

Never Letchu Forget (She's Not Me)
She's No Me and she'll never be (reapeat 2x)

Pharell-
Gotta find a new way to show your feelings
I guess it was some bullsh*t say you love me love me
Guess my expectations hit the ceiling
When you come back it will cost us trust, trust me

She's Not Me
She doesn't have my name
She'll never have what I have

It wont be the same (it wont be the same)

"A Million Miles Away" by Aisha November 22, 2005 (© certificate: PAu3-038-744)

 "Miles Away" by Madonna 2008

My mind is a million miles away
But my thoughts are with you today
Its funny how the mind strays
But the heart stays
As my thoughts fray
Over the days
the ways

My mind is a million miles away
But my thoughts are with you today
Its funny how the mind strays
But the heart stays
As my thoughts fray
Over the days
the ways...

The only picture my mind can find
Is of you
What am I gonna do

Indifference
Tore us apart
But you were always in my heart

I miss you
I want you back

Being young
You don’t understand
The plan

 

  
I just woke up from a fuzzy dream
You never would believe those things that I had seen
I looked in the mirror and I saw your face
You looked right through me, you were miles away

You always love me more, miles away
I hear it in your voice, we're miles away
You're not afraid to tell me, miles away
I guess we're at our best when we're miles away

So far away
So far away
So far away

When no one's around then I have you here
I begin to see the picture, it becomes so clear
You always have the biggest heart,
When we're six thousand miles apart

You always love me more, miles away
I hear it in your voice, we're miles away
You're not afraid to tell me, miles away
I guess we’re at our best when we're miles away

So far away
So far away
So far away

I'm alright, don't be sorry, but it's true
When I'm gone you'll realize
That I'm the best thing that happened to you

 

What kind of dog steals from a minority. You don't get much lower in life than stealing from a minority. How is that something to be proud of. She is so pathetic. What kind of animal do you have to be to do something like that.  What kind of loser consistently does something like this.

This nasty obsession with stealing from and harassing someone that expressed in no uncertain terms that they think you are horrible and disgraceful. Don't you have any pride. You consistently shame yourself and your family with this. You are psychopathic. You're a sick, demented old witch who is a real nut job.

It is the sickest thing I've ever seen in my life. How does someone get so messed up in the head that they do things like this and on a regular basis.

Unwanted Contact

Then there's the unwanted contact. Madonna's commissioned hacker sent me three vile, harassing emails last week, that have been traced back to the same IP address that keeps hacking into my computers where the Copyrighted Catalog has been stored.

Then there was her producer, Timbaland, sending a friend request to MySpace page a couple months ago, knowing they had committed criminal copyright infringement for her forthcoming "Hard Candy" CD.

Before that, it was a Warner Bros artist named Kyle sending me a harassing email.

Then there was a bizarre, threatening phone call to my unlisted number, about Anthony Pellicano, Madonna's PI and that of her lawyer and former manager, containing taunting comments that they have the FBI in their back pocket and nothing is going to come of such cases.

If I were you, I wouldn't be worried about the domestic scope of things, but the international legal angle. Robert Mueller can't help you with that. Check the international legal rulebook.

Madonna Lied About Origin Of Song

Kabbalah nutters Guy Ritchie And Madonna

Madonna is also such a pathological liar. After I stated on this site that she ripped off more of my copyrights again, she did an interview and lied, saying the new song "Incredible" that is a dead rip off of my song "Incredible Girl" which was copyrighted almost 2 YEARS BEFORE her rip off, is about having sex with her husband Guy Ritchie, when people in London know he's cheating on her and hates her.

Who are you really kidding. You further humiliated him in said interview and made him and yourself look stupid, when you stole a song that's been in existence for 2 YEARS then claimed you wrote it about him.

That song isn't about either one of you weirdoes. I wrote and copyrighted that song about me 2 YEARS AGO. It's been on my web site for a year and a half on the lyrics, store and home pages.

MILLIONS of people have been to my sites according to irrefutable Traffic Facts data, blog stats and link referrals, and have seen the songs' lyrics and heard the clips. Then here you come like a loser stealing it well AFTER ALL THOSE PEOPLE SAW AND HEARD IT.

How do you explain that some thing millions of people have seen and heard online that has been in the Copyright Office in Washington, DC, you ripped off 2 YEARS LATER!

Furthermore, look at the idiotic way she butchered my songs with those moronic, nonsensical, simpleton lyrics. Who writes like that. Your writing is so poor, one would think English is not your first language. At least then you'd have an excuse for writing in that manner.

The songs don't even make sense anymore. The rip offs look like hodge podge madness that don't go together. There is no way you have a 160 IQ as you publicly claimed, and ironically, you started saying this after I did about myself.


“The Riches” Infringement   

Madonna’s Maverick Films has also stolen a movie treatment from my Copyrighted Catalog and turned it into an odd television show called The RICHES. My movie synopsis copyrighted 3 years ago is about a crooked man that goes to live in suburbia with a family called The RICHS. Madonna’s company’s rip off show is about a crooked family named the RICHES, who move to suburbia.  


Madonna And Guy Ritchie Steal Script For New Film "Rock N Rolla" 

After being sued by Vincent D’Onofrio for stealing the remake proposal for what became the box office bomb “Swept Away,” Guy Ritchie and Madonna have stolen another copyrighted script.  

Announced via press release, Guy Ritchie’s latest project, in conjunction with his wife, titled “Rock N Rolla” is a direct rip off of an unreleased script I copyrighted and registered the name for 4 years ago. These registrations predate Ritchie’s rip off by 4 years. 

This is not the first time Guy Ritchie in collusion with his wife have stolen copyrighted works from my Catalog.  

In blatant violation of Jamaican law and United Nations treaties, Madonna and Guy Ritchie stole one of my copyrighted scripts about my homeland Jamaica and where I currently live, Miami, and attempted to go out to the island nation to film it.  

He and Madonna contracted Jamaicans for the project and did not tell them the criminal means by which he and his wife procured the script and that it was stolen from a Jamaican as well.  

When I put out a press release read by many, about their misconduct involving my homeland, Ritchie quickly withdrew his name from the project and it disappeared from his IMDB page.

Still determined to unlawfully use items from my copyrights, in violation of international law, Ritchie and Madonna have illegally set their sights on another script in my catalog, opting to illegally film it in London, in violation of British law as well, renaming it “Rock N Rolla.”

The film is being produced and released by Joel Silver, Steve Clark-Hall and Susan Downey and Warner, Madonna’s label’s namesake and affiliate, who have also illegally helped themselves to items from my Catalog in violation of international law.

According to published reports Ritchie’s new rip off script is about, “The head of the London mob, which is losing ground to the foreign mob. Thandie Newton plays the love interest for One Two and The Wire's Idris Elba plays Mumbles, the right-hand guy for our hero. Chris Bridges will play Roman, an American who is trying to break into the music scene in London.”

My script copyrighted 4 years ago is about one mafia losing ground to foreign mafias, a female love interest and a character trying to break into the music industry. It is the exact same story to the one Ritchie and Madonna have now illegally stolen, renaming it "Rock N Rolla."  


COMPARATIVE LYRICAL CONTENT OF THE INFRINGEMENTS CONTAINED IN THE SONG “HEY YOU” BY MADONNA TO MY PREEXISTING COPYRIGHTS THAT ARE YEARS OLD:

Aisha: don’t give up
Madonna: don’t you give up

Aisha: Life isn’t so bad
Madonna: It’s not so bad

Aisha: A chance for you - give us a second chance
Madonna: There’s still the chance for us

Aisha: the courage to be yourself
Madonna: just be yourself

Aisha: poet and peacemaker
Madonna: poets and prophets

Aisha: Tell me why you act so shy
Madonna: Don’t be so shy

Aisha: There's a reason people have so much difficulty
Madonna: There’s reasons why it’s hard

Aisha: Make it together
Madonna: Keep it together

Aisha: we'll make it anyway
Madonna: we’ll make it alright

Aisha: But will you change, you’ve got to beat this thing
Madonna: You’ve got to change this time

Aisha: Remember this
Madonna: Remember this

Aisha: Is real, It’s more than something you feel
Madonna: None of it’s real including the way you feel

Aisha: Save your soul
Madonna: Save your soul

Aisha: little sister
Madonna: little sister

Aisha: Save your soul
Madonna: Save your soul

Aisha: little Brother
Madonna: little brother

Aisha: Save yourself the pain
Madonna: save yourself

Aisha: learn to love yourself
Madonna: first love yourself

Aisha: courage to love someone else
Madonna: then you can love someone else

Aisha: I can’t change everyone
Madonna: If you can change someone else

Aisha: save everyone else
Madonna: saved someone else

Aisha: it’s a choice you make
Madonna: You’ve got a choice

Aisha: everything makes sense
Madonna: it will make sense

Aisha: learn to love yourself
Madonna: first love yourself


"Material Girls" movie directed by Martha Coolidge for Madonna's Maverick

Poster for Madonna's husband's film "Revolver"

"Hung Up" by Madonna - audio and lyrical comparisons coming soon.

"Sorry" by Madonna - audio and lyrical comparisons coming soon.

Madonna's pictures from "Greatest Hits Volume 2" CD

Artwork for Madonna's "Confessions On A Dance Floor" CD

"Madonna's Inspirations" book

Items from Madonna's "English Roses" Fashionline

Madonna's cell phone giveaway contest.

Madonna's "Confessions on A Dance Floor"

"American Life" by Madonna


Contemporary Girl (Original Version 2001) then listen to American Life (2003)

Now listen to both beats together in the proceeding clip and you will see they match. They have the same amount of beats in the musical refrain/melody and follow the same rhythmic pattern. They stole my drum beat and made it into a synthesizer pattern/techno beat.

"Contemporary Girl" and "American Life" combined: click here to hear both beats combined

1. Both songs contain similar lyrics. In each chorus, my song "Contemporary Girl" contains the lines "Modern Society" at the beginning of the refrain. In her rip off version "American Life" the lyrics contain the words "Modern Life" in the beginning of the refrain. The phrase “Modern Society” can be used interchangeably with the term she put in "American Life," “Modern Life” as both phrases can be used to mean the same thing.

In "Contemporary Girl" the lyric in each chorus goes: “In a modern society, that gave you the right to be in control.”

In American Life the lyric in each chorus goes “This type of modern life - Is it for me?”

2. During the rap on "Contemporary Girl," I rap about the things contemporary women have. During the rap on "American Life," she rapped about the things she has. Both songs list similar things, in the same manner and both raps contain a “jet” as one of the items owned.

In "Contemporary Girl" the lyric goes: “a private jet for you to fly out.”

In "American Life" the lyric goes: “Three nannies, an assistant and a driver and a jet

3. In "Contemporary Girl" the lyric goes" “You can’t be the man, when you’re a girl.”

In "American Life" the lyric goes: “I tried to be a boy. I tried to be a girl

It's the same pun about feminists, but once again, she stole the lyric and rewrote it in such as way as to supposedly not get caught.

4. In "Contemporary Girl" the lyric goes: “No matter what your friends say”

In "American Life" the lyric goes: “I tried to find a friend

5. In "Contemporary Girl," I write about eating in the rap, the lyric goes “business brunch, the power lunch.”

In "American Life" she writes about eating in the rap, the lyric is “I'm drinking a Soy latte. I get a double shot”

6. As I wrote above, in "Contemporary Girl," I list all the things contemporary women have during the rap section:

Designer clothed
Hard nosed
Battle-ax with a fax
The business brunch
The power lunch
Net and gross
Who makes the most
Spreadsheets and requisitions
Mergers and acquisitions
Real time and the bottom line
Corporate takeovers and leveraged buyouts
A private jet for you to fly out
Just having your fun
Ms. hard as nails
But cry when you break one
You only care about how much you earn
But when will you ever learn

In "American Life" she raps about all the things she has during the rap section: 

I got a lawyer and a manager
An agent and a chef
Three nannies, an assistant
And a driver and a jet
A trainer and a butler
And a bodyguard or five
A gardener and a stylist
Do you think I'm satisfied?
I'd like to express my extreme point of view
I'm not Christian and I'm not a Jew


I reiterate, she went over the song and tried to rewrite it, as both songs’ lyrics follow the same order and share mutual lyrics. There are too many similarities and they follow the same song structure as well.

7. In "Contemporary Girl" I make references to God, as I am a Christian. I’ve written about Christianity on my web site many times. In the song "American Life" she makes references to Christianity and Judaism, and is now busy writing and speaking about the Kabballah religious cult she belongs to. She hadn’t written about or spoken of it before, as she has now. All of a sudden she is pushing religion via a cult, which is absolutely appalling. Even worse, she’s been accused of trying to teach her religious cult’s beliefs to kids via her poorly written children’s books.

8. Both songs have very similar melodies and grooves/beats. Listen to the electronic groove/beat in "American Life" and you will see they got it from my track "Contemporary Girl," as it’s the same melodic pattern and rhythm as my beat with the accent on the last note of the musical phrase. Madonna, Mirwais and Missy Elliot did the song, which took my drum beat and made it into a synth pattern that runs throughout the song "American Life."

Contemporary Girl (Original Version 2001) then listen to American Life (2003)

Now listen to both beats together in the proceeding clip and you will see they match. They have the same amount of beats in the musical refrain/melody and follow the same rhythmic pattern. They stole my drum beat and made it into a synthesizer pattern/techno beat.

"Contemporary Girl" and "American Life" combined: click here to hear both beats combined

As the combined songs show, both have the same rhythm, breaks, time and melodic pattern, only my drumbeat was made into a synth sample - which is why when played together both the "Contemporary Girl" drum beat and "American Life" synth are in complete sync. It's the musical equivalent of a tenor and soprano singing the same line at the same time - different ranges, but they are singing the same thing.

Another test, for all you home studio producers, if you run the "Contemporary Girl" beat listed above through efx processors, synth simulators or certain vocoders, you will come up with the "American Life" techno synth that's heard in her rip off.    

When you put the beat for "Contemporary Girl" and "American Life" in a music recording program, as I did to render the comparative mix listed above, the wave files even look the same to the point that you think it's the same song or a copy and paste (in the recording software).    


"Confessions on a Dance Floor" - Every song on "Confessions on A Dance Floor," released 6 weeks after I filed suit on September 30, 2005, ripped off items from my released CD "Aisha" and criminally damningly, from my above mentioned private copyrighted catalog of unreleased works only available on my business computers that were hacked and in the Library of Congress in Washington D.C.

Said catalog was copyrighted way before she infringed it. Dates of authorship were also digitally secured via other time stamped digital means and additionally through poor man's copyrights.

For example, there is an UNRELEASED song I copyrighted over a year and a half ago titled "Goodbye." It starts off with me saying the word "Goodbye" in different languages and telling the person I want them to leave and the relationship to end. Madonna's rip off  "Sorry" starts off with her saying the word "Sorry" in several different languages and her telling the person she wants them to leave and the relationship to end. Both songs are also about the same thing, however mine was written and copyrighted way before hers.

I also have another UNRELEASED song that was copyrighted over a year and a half ago that she ripped off to create "Sorry." They share mutual lyrics, only mine was copyrighted a year and a half before hers and written years before hers.

Disco rip off – some of you are probably wondering, as critics have wonder aloud, where Madonna’s new disco theme came from and why. Apart of my copyrighted catalog, is a disco music video treatment and pic treatment I copyrighted well over a year ago that Madonna has illegally used without permission. She knocked off several of my already copyrighted photo treatments and the disco video, copyrighted over a year ago, and has used it in violation of numerous laws. 

/p>

Kabbalah nutters Guy Ritchie And Madonna

Madonna is also such a pathological liar. After I stated on this site that she ripped off more of my copyrights again, she did an interview and lied, saying the new song "Incredible" that is a dead rip off of my song "Incredible Girl" which was copyrighted almost 2 YEARS BEFORE her rip off, is about having sex with her husband Guy Ritchie, when people in London know he's cheating on her and hates her.

Who are you really kidding. You further humiliated him in said interview and made him and yourself look stupid, when you stole a song that's been in existence for 2 YEARS then claimed you wrote it about him.

That song isn't about either one of you weirdoes. I wrote and copyrighted that song about me 2 YEARS AGO. It's been on my web site for a year and a half on the lyrics, store and home pages.

MILLIONS of people have been to my sites according to irrefutable Traffic Facts data, blog stats and link referrals, and have seen the songs' lyrics and heard the clips. Then here you come like a loser stealing it well AFTER ALL THOSE PEOPLE SAW AND HEARD IT.

How do you explain that some thing millions of people have seen and heard online that has been in the Copyright Office in Washington, DC, you ripped off 2 YEARS LATER!

Furthermore, look at the idiotic way she butchered my songs with those moronic, nonsensical, simpleton lyrics. Who writes like that. Your writing is so poor, one would think English is not your first language. At least then you'd have an excuse for writing in that manner.

The songs don't even make sense anymore. The rip offs look like hodge podge madness that don't go together. There is no way you have a 160 IQ as you publicly claimed, and ironically, you started saying this after I did about myself.


“The Riches” Infringement   

Madonna’s Maverick Films has also stolen a movie treatment from my Copyrighted Catalog and turned it into an odd television show called The RICHES. My movie synopsis copyrighted 3 years ago is about a crooked man that goes to live in suburbia with a family called The RICHS. Madonna’s company’s rip off show is about a crooked family named the RICHES, who move to suburbia.  


Madonna And Guy Ritchie Steal Script For New Film "Rock N Rolla" 

After being sued by Vincent D’Onofrio for stealing the remake proposal for what became the box office bomb “Swept Away,” Guy Ritchie and Madonna have stolen another copyrighted script.  

Announced via press release, Guy Ritchie’s latest project, in conjunction with his wife, titled “Rock N Rolla” is a direct rip off of an unreleased script I copyrighted and registered the name for 4 years ago. These registrations predate Ritchie’s rip off by 4 years. 

This is not the first time Guy Ritchie in collusion with his wife have stolen copyrighted works from my Catalog.  

In blatant violation of Jamaican law and United Nations treaties, Madonna and Guy Ritchie stole one of my copyrighted scripts about my homeland Jamaica and where I currently live, Miami, and attempted to go out to the island nation to film it.  

He and Madonna contracted Jamaicans for the project and did not tell them the criminal means by which he and his wife procured the script and that it was stolen from a Jamaican as well.  

When I put out a press release read by many, about their misconduct involving my homeland, Ritchie quickly withdrew his name from the project and it disappeared from his IMDB page.

Still determined to unlawfully use items from my copyrights, in violation of international law, Ritchie and Madonna have illegally set their sights on another script in my catalog, opting to illegally film it in London, in violation of British law as well, renaming it “Rock N Rolla.”

The film is being produced and released by Joel Silver, Steve Clark-Hall and Susan Downey and Warner, Madonna’s label’s namesake and affiliate, who have also illegally helped themselves to items from my Catalog in violation of international law.

According to published reports Ritchie’s new rip off script is about, “The head of the London mob, which is losing ground to the foreign mob. Thandie Newton plays the love interest for One Two and The Wire's Idris Elba plays Mumbles, the right-hand guy for our hero. Chris Bridges will play Roman, an American who is trying to break into the music scene in London.”

My script copyrighted 4 years ago is about one mafia losing ground to foreign mafias, a female love interest and a character trying to break into the music industry. It is the exact same story to the one Ritchie and Madonna have now illegally stolen, renaming it "Rock N Rolla."  


COMPARATIVE LYRICAL CONTENT OF THE INFRINGEMENTS CONTAINED IN THE SONG “HEY YOU” BY MADONNA TO MY PREEXISTING COPYRIGHTS THAT ARE YEARS OLD:

Aisha: don’t give up
Madonna: don’t you give up

Aisha: Life isn’t so bad
Madonna: It’s not so bad

Aisha: A chance for you - give us a second chance
Madonna: There’s still the chance for us

Aisha: the courage to be yourself
Madonna: just be yourself

Aisha: poet and peacemaker
Madonna: poets and prophets

Aisha: Tell me why you act so shy
Madonna: Don’t be so shy

Aisha: There's a reason people have so much difficulty
Madonna: There’s reasons why it’s hard

Aisha: Make it together
Madonna: Keep it together

Aisha: we'll make it anyway
Madonna: we’ll make it alright

Aisha: But will you change, you’ve got to beat this thing
Madonna: You’ve got to change this time

Aisha: Remember this
Madonna: Remember this

Aisha: Is real, It’s more than something you feel
Madonna: None of it’s real including the way you feel

Aisha: Save your soul
Madonna: Save your soul

Aisha: little sister
Madonna: little sister

Aisha: Save your soul
Madonna: Save your soul

Aisha: little Brother
Madonna: little brother

Aisha: Save yourself the pain
Madonna: save yourself

Aisha: learn to love yourself
Madonna: first love yourself

Aisha: courage to love someone else
Madonna: then you can love someone else

Aisha: I can’t change everyone
Madonna: If you can change someone else

Aisha: save everyone else
Madonna: saved someone else

Aisha: it’s a choice you make
Madonna: You’ve got a choice

Aisha: everything makes sense
Madonna: it will make sense

Aisha: learn to love yourself
Madonna: first love yourself


"Material Girls" movie directed by Martha Coolidge for Madonna's Maverick

Poster for Madonna's husband's film "Revolver"

"Hung Up" by Madonna - audio and lyrical comparisons coming soon.

"Sorry" by Madonna - audio and lyrical comparisons coming soon.

Madonna's pictures from "Greatest Hits Volume 2" CD

Artwork for Madonna's "Confessions On A Dance Floor" CD

"Madonna's Inspirations" book

Items from Madonna's "English Roses" Fashionline

Madonna's cell phone giveaway contest.

Madonna's "Confessions on A Dance Floor"

"American Life" by Madonna


Contemporary Girl (Original Version 2001) then listen to American Life (2003)

Now listen to both beats together in the proceeding clip and you will see they match. They have the same amount of beats in the musical refrain/melody and follow the same rhythmic pattern. They stole my drum beat and made it into a synthesizer pattern/techno beat.

"Contemporary Girl" and "American Life" combined: click here to hear both beats combined

1. Both songs contain similar lyrics. In each chorus, my song "Contemporary Girl" contains the lines "Modern Society" at the beginning of the refrain. In her rip off version "American Life" the lyrics contain the words "Modern Life" in the beginning of the refrain. The phrase “Modern Society” can be used interchangeably with the term she put in "American Life," “Modern Life” as both phrases can be used to mean the same thing.

In "Contemporary Girl" the lyric in each chorus goes: “In a modern society, that gave you the right to be in control.”

In American Life the lyric in each chorus goes “This type of modern life - Is it for me?”

2. During the rap on "Contemporary Girl," I rap about the things contemporary women have. During the rap on "American Life," she rapped about the things she has. Both songs list similar things, in the same manner and both raps contain a “jet” as one of the items owned.

In "Contemporary Girl" the lyric goes: “a private jet for you to fly out.”

In "American Life" the lyric goes: “Three nannies, an assistant and a driver and a jet

3. In "Contemporary Girl" the lyric goes" “You can’t be the man, when you’re a girl.”

In "American Life" the lyric goes: “I tried to be a boy. I tried to be a girl

It's the same pun about feminists, but once again, she stole the lyric and rewrote it in such as way as to supposedly not get caught.

4. In "Contemporary Girl" the lyric goes: “No matter what your friends say”

In "American Life" the lyric goes: “I tried to find a friend

5. In "Contemporary Girl," I write about eating in the rap, the lyric goes “business brunch, the power lunch.”

In "American Life" she writes about eating in the rap, the lyric is “I'm drinking a Soy latte. I get a double shot”

6. As I wrote above, in "Contemporary Girl," I list all the things contemporary women have during the rap section:

Designer clothed
Hard nosed
Battle-ax with a fax
The business brunch
The power lunch
Net and gross
Who makes the most
Spreadsheets and requisitions
Mergers and acquisitions
Real time and the bottom line
Corporate takeovers and leveraged buyouts
A private jet for you to fly out
Just having your fun
Ms. hard as nails
But cry when you break one
You only care about how much you earn
But when will you ever learn

In "American Life" she raps about all the things she has during the rap section: 

I got a lawyer and a manager
An agent and a chef
Three nannies, an assistant
And a driver and a jet
A trainer and a butler
And a bodyguard or five
A gardener and a stylist
Do you think I'm satisfied?
I'd like to express my extreme point of view
I'm not Christian and I'm not a Jew


I reiterate, she went over the song and tried to rewrite it, as both songs’ lyrics follow the same order and share mutual lyrics. There are too many similarities and they follow the same song structure as well.

7. In "Contemporary Girl" I make references to God, as I am a Christian. I’ve written about Christianity on my web site many times. In the song "American Life" she makes references to Christianity and Judaism, and is now busy writing and speaking about the Kabballah religious cult she belongs to. She hadn’t written about or spoken of it before, as she has now. All of a sudden she is pushing religion via a cult, which is absolutely appalling. Even worse, she’s been accused of trying to teach her religious cult’s beliefs to kids via her poorly written children’s books.

8. Both songs have very similar melodies and grooves/beats. Listen to the electronic groove/beat in "American Life" and you will see they got it from my track "Contemporary Girl," as it’s the same melodic pattern and rhythm as my beat with the accent on the last note of the musical phrase. Madonna, Mirwais and Missy Elliot did the song, which took my drum beat and made it into a synth pattern that runs throughout the song "American Life."

Contemporary Girl (Original Version 2001) then listen to American Life (2003)

Now listen to both beats together in the proceeding clip and you will see they match. They have the same amount of beats in the musical refrain/melody and follow the same rhythmic pattern. They stole my drum beat and made it into a synthesizer pattern/techno beat.

"Contemporary Girl" and "American Life" combined: click here to hear both beats combined

As the combined songs show, both have the same rhythm, breaks, time and melodic pattern, only my drumbeat was made into a synth sample - which is why when played together both the "Contemporary Girl" drum beat and "American Life" synth are in complete sync. It's the musical equivalent of a tenor and soprano singing the same line at the same time - different ranges, but they are singing the same thing.

Another test, for all you home studio producers, if you run the "Contemporary Girl" beat listed above through efx processors, synth simulators or certain vocoders, you will come up with the "American Life" techno synth that's heard in her rip off.    

When you put the beat for "Contemporary Girl" and "American Life" in a music recording program, as I did to render the comparative mix listed above, the wave files even look the same to the point that you think it's the same song or a copy and paste (in the recording software).    


"Confessions on a Dance Floor" - Every song on "Confessions on A Dance Floor," released 6 weeks after I filed suit on September 30, 2005, ripped off items from my released CD "Aisha" and criminally damningly, from my above mentioned private copyrighted catalog of unreleased works only available on my business computers that were hacked and in the Library of Congress in Washington D.C.

Said catalog was copyrighted way before she infringed it. Dates of authorship were also digitally secured via other time stamped digital means and additionally through poor man's copyrights.

For example, there is an UNRELEASED song I copyrighted over a year and a half ago titled "Goodbye." It starts off with me saying the word "Goodbye" in different languages and telling the person I want them to leave and the relationship to end. Madonna's rip off  "Sorry" starts off with her saying the word "Sorry" in several different languages and her telling the person she wants them to leave and the relationship to end. Both songs are also about the same thing, however mine was written and copyrighted way before hers.

I also have another UNRELEASED song that was copyrighted over a year and a half ago that she ripped off to create "Sorry." They share mutual lyrics, only mine was copyrighted a year and a half before hers and written years before hers.

Disco rip off – some of you are probably wondering, as critics have wonder aloud, where Madonna’s new disco theme came from and why. Apart of my copyrighted catalog, is a disco music video treatment and pic treatment I copyrighted well over a year ago that Madonna has illegally used without permission. She knocked off several of my already copyrighted photo treatments and the disco video, copyrighted over a year ago, and has used it in violation of numerous laws. 

ADS

 

...

 

 

RECOMMENDED SITES

 

BOYCOTT LINKS

Boycott Madonna

FAVORITE SITES

Our Daily Bread

God Tube

You Tube

Juanita Bynum

Sister Perri

Zig Vid (to laugh with them)

TMZ (to laugh at TMZ)

FBI.gov (writing material)

Google News

Google Entertainment

JamaicaObserver.com

Drudge Report (news Cliff's Notes LOL)

BBC.co.uk

TimesOnline.co.uk

Telegraph.co.uk

TheLondonPaper.com

Forbes.com

Reuters.com

Amazon.com

AddThis Feed Button 

AddThis Social Bookmark Button   

Subscribe to Aisha Music on your cell phone

My Zimbio

 

Your Ad Here

...

Your Ad Here


© 2001- 2011 AG All Rights Reserved. Web site design by Aisha for Sonustar Interactive

Sites: Aisha | Blog | Blog Archive | Goodison Trust | Sonustar | Sonustar News | Sound Off Column | Judiciary Report| Celluloid Film Review | Compendius | United Peace Initiative | Consumer News Reviews |

Articles: Suicide Prevention | Choose Life | Spiritual

     

 

Your Ad Here

...

Your Ad Here


© 2001- 2011 AG All Rights Reserved. Web site design by Aisha for Sonustar Interactive

Sites: Aisha | Blog | Blog Archive | Goodison Trust | Sonustar | Sonustar News | Sound Off Column | Judiciary Report| Celluloid Film Review | Compendius | United Peace Initiative | Consumer News Reviews |

Articles: Suicide Prevention | Choose Life | Spiritual